روباج ورهوم

In Robag Wruhme’s world, the sun is forever on the horizon—the sky turning peach, the birds gently chirping, the moon hung just so. Once upon a time, the German producer born Gabor Schablitzki pursued a more antic muse.

Both solo and in the duo Wighnomy Brothers, with Monkey Maffia, his productions epitomized the fidgety energy of the genre known simply as “minimal”: dry, scratchy rhythms, bristly as an anti-static brush, flecked with hiccupping repetitions and crisscrossing strobes.

His 2004 album Wuzzlebud KK remains a masterpiece of the period, as burly a profile as minimal ever managed, but as the style’s flame faded and Wruhme’s rhythmic tics fell out of favor, he pivoted toward the moodier sounds of 2011’s Thora Vukk, finding a middle ground between his bruising dancefloor instincts and pensive jazz piano.